Blogpost # M. 279 MIXED MEDIA

After several frustrated years of inability to appropriately describe the sui-generis persona of Donald J. Trump, we were recently stricken with an epiphany, amounting to an acceptable mode of his portrayal. For years, the presenting conundrum resided, not in the inadequacy of critical adjectives in our lexicon, appropriately descriptive of his societally aberrant and bizarre persona, but in the anomalous applicability of all of them.

An adequate description of any individual, pragmatically requires the selection of a few outstandingly representative traits, positive or negative, to enable the rendition of a comprehensible picture of the subject, In the unique case of Donald J. Trump, it bizarrely appears that the entire inventory of negative adjectives is applicable, thus rendering, his personalized description intrinsicly indistinct and nebulous; indeed, one might randomly conjure up, at random, any negative adjectival attribution of Trump and deserve confidence in its empirical verisimilitude.

The singular difficulty in the portrayal of this uniquely unprecedented ogre, scientifically, and curiously identifiers as a member of the anthropological class of homo sapiens, may be avoided, as we recently have realized by the effort to conceive of his contextual perception as a comic book villain, who, escaping the c comic book pages of his fictionally creative role through some unseen portal and eerily arriving into the world of non-fictional reality, creating the singular occurrence of a mixed media reality.

One might recall from early life, certain memorable comic book villains, appearing in publications of D.C. Comics or Marvel Enterprises, LLC., such as “The Joker,” The Penguin,” “Magneto,” “Lex Luther,” and others among the copious menagerie of colorfully portrayed “bad guys,” and thus, discover that he is more capable of an acceptable referential description of the real-life, elebrated villain, the “Orange Autocrat” presently maintaining his darkly evil sway over the American Nation.

In the comic armegeddon, the fictionally created monster is reliably defeated by the publisher’s utilitarian and supremely capable super-hero, yet the contextual, non-fictional villain, aptly thus describable by reference to the action-packed comics, will not be confronted by a colorfully imagined super hero like Superman, Captain Marvel, or Spiderman; the latter cast of ultra characters, unfortunately, for moral society, are not able, analogously, to find the portal leading to a mixed media reality.

The justice-restoring, declaredly, non-fictional,” Super-Hero,” available to restore justice, societal health, and morality to Gotham City, in the non-fictional world of reality, is the conglomerate of informed and dedicated American citizens, without benefit of impressive stereotypical super-hero costumes, with the effective antidote as prescribed in their informed, constitutional franchise of the vote.

-p.

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Retired from the practice of law'; former Editor in Chief of Law Review; Phi Beta Kappa; Poet. Essayist Literature Student and enthusiast.

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